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TASCAM DR-60DmkII DSLR Audio Recorder

4.5 4.5 out of 5 stars 1,013 ratings
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About this item

  • Four microphone inputs with 64dB of smooth gain and phantom power
  • Select Four-track recording mode of Dual recording - a distortion-proof safety track
  • Clear audio quality and A/D converters capture every whisper and shout of a performance
  • Records up to 96Jz/24-bit WAV or BWAV audio to SD card media
  • Low cut filter and limiter to avoid noisy, distorted recordings

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TASCAM DR-60DmkII DSLR Audio Recorder
TASCAM DR-60DmkII DSLR Audio Recorder
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Price$169.00-24% $267.34
List:$349.99
$125.06$289.00$264.45-15% $169.00
List:$199.00
Delivery
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Customer Ratings
Sound quality
4.4
4.9
4.4
4.1
4.3
Portability
4.6
5.0
4.8
Easy to use
4.3
4.7
3.7
User interface
4.6
4.0
3.8
Battery life
4.3
4.3
3.0
Sold By
Amazon.com
Amazon.com
Amazon.com
Safe 'N Quick
Amazon.com
Amazon.com
hardware interface
sdhc, secure digital
secure digital
usb2.0
usb2.0
sdhc, secure digital
usb
memory capacity
64 MB
512 GB
32 GB
32 GB
64 decibels
4 GB
format
wav
wav
wav
wav
wav
battery quantity
4 aa
2 aa
4 aa
4 aa
4 aa
weight
1.12 pounds
0.51 kilograms
1.16 pounds
360 grams
mic form factor
Built-In
Built-In
Built-In
Built-In
Built-In
Built-In

Product information

Warranty & Support

Product Warranty: For warranty information about this product, please click here [PDF ]

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TASCAM DR-60DmkII DSLR Audio Recorder


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Product guides and documents

What's in the box

  • Audio Recorder
  • Product Description

    The Tascam DR-60DmkII 4-Channel Portable Recorder for DSLR is the new audio recording solution for on-set filmmakers and videographers using DSLRs. For years, filmmakers have been trying different methods for recording audio - including the use of bulky recorders designed for music and trying to transform the inferior audio technology built-into DSLRs. Now TASCAM has designed an answer that pros and amateurs alike have been waiting for. The DR-60D is a brand new 4-track solid-state recorder utilizing TASCAMs decades of experience. The recorder utilizes high-grade HDDA pre-amps, legendary AD converters, and a durable but lightweight structure and shape. This device will fit snuggly under any camera or into any rig, and record up to 96kHz/24-bit high quality audio straight to SD/SDHC media. Filmmakers have at their disposal two 1/4"-XLR Locking Combo MIC/LINE Inputs, 3.5mm Stereo MIC Input, Camera In, Camera Out, Line Out and Headphone Out. Both 1/4"-XLR Combo Inputs supply +48V Phantom Power and the 3.5mm Input supplies Plug-In Power for microphones requiring a bias voltage. The DR-60D is incredibly easy to use, employing TASCAMs very popular user interface and external controls for every major operation. The body structure, soft-touch keys and dials are designed specifically to help eliminate handling noise. The multiple record modes include, 4-Channel Record, Auto Record and TASCAMs Dual Record "Safety Track" Mode make the DR-60D one of the most versatile recorders on the market. Quality mic preamps are a necessity for quality sound. The DR-60DmkIIs HDDA mic preamplifiers (High Definition Discrete Architecture) employ discrete circuitry and parts, approved after months of evaluation testing by Tascam. The HDDA s circuit achieves a high equivalent input noise (EIN) of -120 dBu for low input noise. The DR-60DmkII mic preamps have been u.pgraded from their predecessor for up to 64 dB of gain with XLR input jacks for greater cable comp.


    From the manufacturer


    Features at a glance
    • Record to SD/SDHC card (Up to 32GB)
    • Simultaneously record up to 4 tracks
    • Record Modes: Mono, Stereo, Dual Mono, Dual Stereo, 4-channel
    • Phantom power to channels 1/2 (24V or 48VDC on XLRF)
    • Tripod mounting socket (bottom) and mounting screw attachment (top)

    TASCAM DR-60DMKII

    4-Channel Portable Audio Recorder for DSLR Filmmakers

    The DR-60DmkII is the audio recording solution for when you're on-set. It fits perfectly under a DSLR camera rig, without relying on bulky recorders or the limits of the camera’s microphone in. The upgraded HDDA preamps provide up to 64dB of gain. Record up to 4 channels at a time to the internal SD Card, at up to 96kHz/24-bit WAV file resolution. Two of the mic inputs utilize locking XLR connectors with 48V phantom power, and the other two use a 1/8” stereo connector for wireless and lav mics.

    Main Features

    High-Quality HDDA Mic Preamps

    High quality mic preamps are a necessity for high-grade sound. The DR-60D's HDDA mic preamplifiers (High Definition Discrete Architecture) employ discrete circuitry and premium parts, approved after months of evaluation testing. The HDDA s circuit achieves an incredibly high EIN (-120dBu) for the lowest noise level available. The DR-60DmkII mic preamps have been upgraded for up to 64dB of gain with new XLR input jacks for greater cable compatibility.

    Soft-Touch Controls

    Every aspect of the DR-60DmkII is designed specifically for DSLR Audio for Video Recording. The keys of the unit are designed specifically for quiet operation to eliminate handling noise. The Slate feature is designed to mark tracks easily while in production. The input and output layout is designed for versatile use. Whether the device is used under a camera, on a rig or strapped around a solitary sound engineer, TASCAM's DR-60D will meet all on-site audio production needs.

    Ch 3 & 4 Inputs Support High-Output Microphones

    The channel 3/4 input connector supports a high-level maximum input – up to +10dBV. Many microphones designed for use with video cameras have a high-level output and a 3.5mm output connector. Plug-in power is also available for microphones that need it.

    Lightweight Body Designed for Rugged Portability

    The DR-60DmkII's body was manufactured with very rigid plastic for a durable but lightweight design. TASCAM understands how important weight is to steady camera movement when filmmaking. In addition to its light weight, the feature-rich DR-60DmkII is extremely compact. Only 5.25" wide, the DR-60DmkII won’t interfere with camera operation. All batteries can be replaced without removing the device from the Camera or tripod / rig.

    Looking for specific info?

    Customer reviews

    4.5 out of 5 stars
    4.5 out of 5
    1,013 global ratings

    Customers say

    Customers like the quality, sound quality, ease of use, and value of the voice recorder. They mention that it's a truly professional level of performance, and the sound is clear and clean. Some appreciate the portability. That said, opinions are mixed on battery life, size, and construction.

    AI-generated from the text of customer reviews

    142 customers mention131 positive11 negative

    Customers are satisfied with the quality of the voice recorder. They mention that it is a great product with a truly professional level of performance. It is able to perform well and is praised for its ease of use. Some customers also say that the sound quality is great and the other functionality is great. Overall, customers are happy with the product and recommend it to others.

    "...LAST BLURB: I'm happy with the DR-60D: excellent recording quality, clean preamps, plenty of gain for soft instruments and easy to use form factor..." Read more

    "...Audio quality is great, and the device is a great addition to any professional setup." Read more

    "...combine the sound quality, versatility, portability, convenience, feature set, and then the price of this little recorder, you have an absolutely..." Read more

    "This is an excellent recorder...." Read more

    99 customers mention75 positive24 negative

    Customers like the sound quality of the voice recorder. They mention that the sound is clear and clean, and it's perfect and noise free.

    "...and rests of classical guitar pieces were wonderfully clean and devoid of noise...." Read more

    "Excellent audio recording that won't break the bank!My Sony DSLR needed a quality audio solution that could accept XLR mic with phantom power...." Read more

    "Let me just say this: When you combine the sound quality, versatility, portability, convenience, feature set, and then the price of this little..." Read more

    "...1. The audio is VERY clean. Their new preamps make for a nice, clean sound. I use this with a Rode NTG-3 which is a great mic anyway...." Read more

    71 customers mention56 positive15 negative

    Customers like the ease of use of the voice recorder. They mention that the product has a great sized physical knobs, an easy UI, and is not too difficult to set-up and operate. The versatility, portability, convenience, and feature set make it a complete joy to use. The camera attachment makes it g a good and compact setup for most rigs, and the features make it easy to record and monitor.

    "...When attached on an arm or tripod, the frontal LCD and controls are easier to see and use compared to “palm” recorders like the H6 or DR-100 MKII...." Read more

    "...The user interface is straight forward and anyone with any experience in audio recording equipment should be able to use without any need for..." Read more

    "...this: When you combine the sound quality, versatility, portability, convenience, feature set, and then the price of this little recorder, you have..." Read more

    "...4. The operations are easy. I like having everything in front of me with knobs...." Read more

    45 customers mention45 positive0 negative

    Customers are satisfied with the value of the DR-60. They mention that it is well worth the price, the cheapest recorder with XLR inputs and actual rotary gain knobs they could find, and that it does a nice job for the price. It is intuitive to operate and has excellent flexibility at a moderate cost, making it ideal for the professional user. Overall, customers are happy with the quality and features of the product.

    "...set, and then the price of this little recorder, you have an absolutely insane value. It's a steal. They should be charging double...." Read more

    "...Super build quality, great audio, unbelievable price." Read more

    "...The DR-60 is well worth the price. It has many super features that you can read about in the specs...." Read more

    "Overall, it's a solid product for the money except for two glaring exceptions that I can't get past...." Read more

    19 customers mention17 positive2 negative

    Customers like the portability of the voice recorder. They say it's easy to use, doesn't add a lot of weight, and is a great and compact setup for most rigs. Customers also mention the sound quality is very good and that the portaability is very easy.

    "...As I satiated above, it fits nicely under any camera rig and doesn't ad a lot of weight or bulk...." Read more

    "...me just say this: When you combine the sound quality, versatility, portability, convenience, feature set, and then the price of this little recorder..." Read more

    "...It’s lightweight and portable, provides plenty of phantom power for the microphone via aa batteries. Pretty clean preamps and no fan...." Read more

    "...Pros: small, easy to learn how to use, multiple inputs, able to listen to what you are recording directly..." Read more

    55 customers mention30 positive25 negative

    Customers are mixed about the battery life of the voice recorder. Some mention that battery times can vary greatly depending on weather or not phantom power is used, while others say that it really burns through batteries.

    "...Battery times can vary greatly depending on weather or not phantom power is used. I find I can get about 1.5 - 2 hours out of Phantom power...." Read more

    "...Cons are short battery life, no built-in mics, small LCD and no punch-in features...." Read more

    "...All in all, I'm definitely keeping this one. Super build quality, great audio, unbelievable price." Read more

    "...If I had a knock for this mixer is that it does go through AA batteries kinda fast...." Read more

    18 customers mention12 positive6 negative

    Customers are mixed about the size of the voice recorder. Some mention that it fits right in with their camcorders when working with a tripod, while others say that it is too big and heavy to use on their Nikon D3100. However, some customers are in love with it and find it to be a perfect fit for their needs.

    "...Unit is much smaller and lighter than I expected from the product shots...." Read more

    "...Great sized physical knobs, easy UI, 1/4 20 screw attached for rigging. However, none of this matters if you can’t make a reliable product." Read more

    "...I am in love. It is also, tiny tiny. Like a little child's toy. Almost silly looking tiny...." Read more

    "...bought this mainly because of the price and the fact that it could mount on my tripod(I can monitor levels, etc with a quick glance while shooting..." Read more

    16 customers mention11 positive5 negative

    Customers have mixed opinions about the construction of the voice recorder. Some mention that it is well made and has a solid feel, while still being extremely light, while others say that the build quality of this is pretty bad and the top tripod bolt feels flimsy.

    "...The TASCAM DR-60mkII is built extremely well. It has a solid feel, while still being extremely light...." Read more

    "...feel but I find the unit to be quite well made and the camera mount quite sturdy. Some complain that the menu is too complicated...." Read more

    "...I use an Arca plate for fast mount/dismount. The top tripod bolt feels flimsy and I wouldn't trust it to hold anything heavier than a battery..." Read more

    "...I think the build quality is quite nice. They have compacted a lot of features and controls in a small package...." Read more

    Clean preamps, easy to use and tiny
    5 Stars
    Clean preamps, easy to use and tiny
    The DR-60D MKII is optimized for DSLR video audio—lacking music extras like a tuner and metronome—but sports most of features of the DR-40 but housed in a tripod and camera friendly case.APPEARANCE & BUILD: Although small, the boxy form factor isn’t palm friendly and is at its best on a Magic Arm or tripod. The plastic body feels well made but isn’t as sturdy as the metal clad DR-100 II. Unlike most Tascam portables, there are no built-in mics. A tiny monochrome LCD displays levels, modes and menus. It’s not a touchscreen but is clearly visible in darkness and direct sunlight. And, because it’s not angled like the DR-70D LCD, it’s visible in a bag, on the floor or topside a camera.A tripod socket beneath and tripod bolt above allow connection to studio support and cameras. I use an Arca plate for fast mount/dismount. The top tripod bolt feels flimsy and I wouldn't trust it to hold anything heavier than a battery pack.CONTROLS: I choose the DR-60D MKII over the DR-70D due to the abundance of physical controls—specifically phantom power switches—and the forward facing LCD. When attached on an arm or tripod, the frontal LCD and controls are easier to see and use compared to “palm” recorders like the H6 or DR-100 MKII. The rubberized buttons and wheels operate smoothly and are easy to access. Channels 1/2 have individual gain controls but, oddly, 3/4 sports only a single global level adjustment.MIC CONNECTION: Combo XLR and TRS inputs allow recording from external mics or line level sources such as mixers or outboard mic preamps. XLR preamps have four levels of input sensitivity but, unlike the DR-100 II, sensitivity is set via menus (no switches). There’s a switch to toggle XLR inputs from mic, phantom power and line level. Mini/3.5 mm stereo mic input is also supported, defaulting to channels 3/4. Power for the 3.5mm mic input lacks a switch and must be activated from a menu.BATTERIES: Four AA batteries are housed in a backside compartment. Batteries can be swapped out while the unit is on a tripod. I use Eneloop Pro rechargeable batteries and they only last about four hours with 48v phantom power. Standard Eneloop work okay but the slightly larger size make them tough to install/remove. The short battery life is disappointing but easy to work around (see below).The mini-USB port is only for bus power or uploading to a computer. For long sessions I plug in a USB “lipstick” battery bank and it yields an additional four or five hours. For marathon sessions I strap on a USB battery bank, the Anker Astro E4 13000mAh Portable Charger: power for days with phantom power and can be attached to the top of the DR-60D with a smartphone tripod mount.SOUND QUALITY: I mainly record soft finger picked guitars and preamps have plenty of gain when set to “high” sensitivity: 25 to 50% gain for -12 dB set with KM-184 mics. Quiet passages and rests of classical guitar pieces were wonderfully clean and devoid of noise. Preamps are significantly cleaner than the DR-40 and a notch better than the DR-100 II. The DR-60 MKII and two Neumann KM-184 mics were used to record the audio of my uploaded video at 48kHz/24 bit (synced to EOS 70D video).Finally, the 60D MKII can record various combinations of stereo and mono modes, e.g., stereo plus two mono tracks, but these tracks must be recorded simultaneously. In other words, unlike the DR-40 and DR-44WL, it lacks the ability to “punch in,” while playing back a track. Normally I’d add additional audio in a DAW during post production but it seems odd to omit such features when similar units have them.LAST BLURB: I'm happy with the DR-60D: excellent recording quality, clean preamps, plenty of gain for soft instruments and easy to use form factor for "selfie" audio and video recording. Operation is straightforward and I barely needed to open the manual. Cons are short battery life, no built-in mics, small LCD and no punch-in features. All in all, the DR-60D MKII is a great choice for those needing to record live music performances and DSLR audio.
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    Top reviews from the United States

    Reviewed in the United States on December 5, 2015
    style: DSLR RecorderVerified Purchase
    Customer image
    5.0 out of 5 stars Clean preamps, easy to use and tiny
    Reviewed in the United States on December 5, 2015
    The DR-60D MKII is optimized for DSLR video audio—lacking music extras like a tuner and metronome—but sports most of features of the DR-40 but housed in a tripod and camera friendly case.

    APPEARANCE & BUILD: Although small, the boxy form factor isn’t palm friendly and is at its best on a Magic Arm or tripod. The plastic body feels well made but isn’t as sturdy as the metal clad DR-100 II. Unlike most Tascam portables, there are no built-in mics. A tiny monochrome LCD displays levels, modes and menus. It’s not a touchscreen but is clearly visible in darkness and direct sunlight. And, because it’s not angled like the DR-70D LCD, it’s visible in a bag, on the floor or topside a camera.

    A tripod socket beneath and tripod bolt above allow connection to studio support and cameras. I use an Arca plate for fast mount/dismount. The top tripod bolt feels flimsy and I wouldn't trust it to hold anything heavier than a battery pack.

    CONTROLS: I choose the DR-60D MKII over the DR-70D due to the abundance of physical controls—specifically phantom power switches—and the forward facing LCD. When attached on an arm or tripod, the frontal LCD and controls are easier to see and use compared to “palm” recorders like the H6 or DR-100 MKII. The rubberized buttons and wheels operate smoothly and are easy to access. Channels 1/2 have individual gain controls but, oddly, 3/4 sports only a single global level adjustment.

    MIC CONNECTION: Combo XLR and TRS inputs allow recording from external mics or line level sources such as mixers or outboard mic preamps. XLR preamps have four levels of input sensitivity but, unlike the DR-100 II, sensitivity is set via menus (no switches). There’s a switch to toggle XLR inputs from mic, phantom power and line level. Mini/3.5 mm stereo mic input is also supported, defaulting to channels 3/4. Power for the 3.5mm mic input lacks a switch and must be activated from a menu.

    BATTERIES: Four AA batteries are housed in a backside compartment. Batteries can be swapped out while the unit is on a tripod. I use Eneloop Pro rechargeable batteries and they only last about four hours with 48v phantom power. Standard Eneloop work okay but the slightly larger size make them tough to install/remove. The short battery life is disappointing but easy to work around (see below).

    The mini-USB port is only for bus power or uploading to a computer. For long sessions I plug in a USB “lipstick” battery bank and it yields an additional four or five hours. For marathon sessions I strap on a USB battery bank, the [[ASIN:B00BQ5KHJW Anker Astro E4 13000mAh Portable Charger]]: power for days with phantom power and can be attached to the top of the DR-60D with a smartphone tripod mount.

    SOUND QUALITY: I mainly record soft finger picked guitars and preamps have plenty of gain when set to “high” sensitivity: 25 to 50% gain for -12 dB set with KM-184 mics. Quiet passages and rests of classical guitar pieces were wonderfully clean and devoid of noise. Preamps are significantly cleaner than the DR-40 and a notch better than the DR-100 II. The DR-60 MKII and two Neumann KM-184 mics were used to record the audio of my uploaded video at 48kHz/24 bit (synced to EOS 70D video).

    Finally, the 60D MKII can record various combinations of stereo and mono modes, e.g., stereo plus two mono tracks, but these tracks must be recorded simultaneously. In other words, unlike the DR-40 and DR-44WL, it lacks the ability to “punch in,” while playing back a track. Normally I’d add additional audio in a DAW during post production but it seems odd to omit such features when similar units have them.

    LAST BLURB: I'm happy with the DR-60D: excellent recording quality, clean preamps, plenty of gain for soft instruments and easy to use form factor for "selfie" audio and video recording. Operation is straightforward and I barely needed to open the manual. Cons are short battery life, no built-in mics, small LCD and no punch-in features. All in all, the DR-60D MKII is a great choice for those needing to record live music performances and DSLR audio.
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    24 people found this helpful
    Report
    Reviewed in the United States on September 12, 2016
    style: DSLR RecorderVerified Purchase
    4 people found this helpful
    Report

    Top reviews from other countries

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    Sandra Silva
    1.0 out of 5 stars Solicito estorno
    Reviewed in Brazil on May 31, 2022
    style: DSLR RecorderVerified Purchase
    Carlo T.
    1.0 out of 5 stars Sfortunato?
    Reviewed in Italy on July 12, 2022
    style: DSLR RecorderVerified Purchase
    Dante
    5.0 out of 5 stars Muy bueno
    Reviewed in Mexico on December 27, 2018
    style: DSLR RecorderVerified Purchase
    2 people found this helpful
    Report
    Potassium (K)
    5.0 out of 5 stars Tascam dr-60dmk2
    Reviewed in France on January 1, 2020
    style: DSLR RecorderVerified Purchase
    9 people found this helpful
    Report
    TechBoss
    5.0 out of 5 stars Top Recorder zum kleinen Preis!
    Reviewed in Germany on October 5, 2019
    style: DSLR RecorderVerified Purchase
    Customer image
    TechBoss
    5.0 out of 5 stars Top Recorder zum kleinen Preis!
    Reviewed in Germany on October 5, 2019
    Der Recorder funktioniert einwandfrei und liefert absolut brauchbare Qualität ab. Bei Mikrofonen mit ordentlichem Ausgangspegel hält sich das Rauschen auch in Grenzen, bei etwas leiseren Kandidaten muss in der Nachbearbeitung mit einem Rauschfilter nochmal nachgeholfen werden. Die Einstell Möglichkeiten sind vielfältig, so kann man zum Beispiel am Anfang und Ende jeder Aufnahme einen Signalton abspielen lassen, und das aufgenommene Signal nicht nur auf der Speicherkarte speichern sondern auch direkt in die Kamera einspeisen. So fällt das synchronisieren in der Bearbeitung hinterher leichter, falls man mal vergisst den obligatorischen sync-Klatscher zu machen.
    Etwas nervig ist der Batterie-Verbrauch. Benutzt man ein Mikrofon mit Phantomspannung ist es durchaus möglich an einem Drehtag mit einem Satz Batterien (4 x AA) nicht hin zu kommen. Glücklicherweise nimmt das Gerät auch Akkus (auch das lässt sich im Menü einstellen!) wodurch sich der Verbrauch an Ressourcen unter Kontrolle bringen lässt. Alternativ kann man den Recorder auch per USB mit Strom versorgen, leider nur mit dem sehr überholten Mini-USB. Micro-USB oder USB-c hätte mir erheblich besser gefallen.
    Ein sehr praktischer Begleiter mit extrem vielfältigen Optionen und Möglichkeiten, den man zu diesem Preis eher selten bekommt. Absoloute Kaufempfehlung von mir.
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    2 people found this helpful
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